P. Lorca diCorcia: Marilyn, 28 years old; Las Vegas, Nevada; $30 |
The picture is outstanding from the rest series, as diCorcia admits, for being "fully front-up and clearly the imitation of an actress" - the latter struck me in particular. Apparently, diCorcia had no influence on Marilyn's pose, the prostitute chose it. A certain resemblance to Marilyn Monroe is undeniable. This reminded me on an article I had read earlier, an examination of Indonesian trans women living in Europe. They, too, were majorly influenced by Hollywood movies and actresses: in the way they presented themselves, in they way they imaged romances - basically, Hollywood shaped their entire lives and hopes. The Indonesian women, trying to survive in the Netherlands, seemingly share their dreams with diCorcia's Marilyn - is it, in the end, the beginning of the American Dream?
Hollywood is, inarguably, the big thing. We're being flooded with images from Hollywood every day, there's no escape. No other industry has promoted the American Dream more successfully - the idea that you can change your life, your identity, if you only believe and work hard enough; tempting particularly for those struggling with gender dysphoria, or unrequited sexuality. But what diCorcia and the story of the Indonesian women show and Hollywood conceals: Only few can make it, and the rest remains a hopeless imitation, an empty performance.
Phil Bicker sums it up perfectly in his LightBox article about Hustlers: "Masterfully depicting the bleak underside of Hollywood, they also capture the town's unfulfilled dreams and its fake intimacy."
A. Eisenstaedt: Marilyn Monroe, 1953 |
Found this on little rant by @Wiscodiz on Twitter just now: "Fuck the American Dream. Its a white cishet capitalist dream. Its a nightmare for poc, trans/queer folks, the poor, and the disabled." I am not sure whether Marilyn Monroe would approve, but for me, it's true.
No comments:
Post a Comment