Gustav Hofer and Luca Ragazzi: Suddenly, Last Winter

Suddenly, Last Winter is a documentary film made in 2007, when the Italian journalists and long-time couple Gustav Hofer and Luca Ragazzi found themselves confronted with a violent wave of homophobia. The violence flared when civil partnerships for homosexuals were firstly proposed to the Italian parliament, and while Gustav and Luca were understandably excited about the development, Christian and conservative parties and movements braced themselves against it, leaving the country politically unstable and its people in fear and anger.

The premise is a simple one: On Gustav's initiative, the couple hits the streets, attends protests and endures numerous, endless conferences of the senate to understand the dispute. They try to interview as many people as possible, politicians, civil movement leaders and seemingly innocent passer-bys. And they never shy away from directing the camera at themselves: their disappointed faces, the fear in Luca's voice after being threatened by fascist demonstrators. By continually asking the right questions in the right moments, they subtly deconstruct the arguments of the self-called "defenders of the family and traditional values" and reveal their weak spots. When talking to politicians, more often than not, hypocrisy and a dangerous entanglement between the purportedly secular state and clerical influences come to light. When interviewing the religious, they find unreasonable fear, ignorance and hate. "I don't know what you're afraid of!", Gustav shouts in one particularly intense debate. "They say the same things, like broken records, the poor things", Luca will reply soon, exhausted by the empty phrases.

Luca and Gustav watching the news.

What makes the film so successful is not its immediacy - the hand-held camera in midst of the demonstration - or its makers' perseverance. Suddenly, Last Winter is a very personal film, and that's what makes it special. Luca and Gustav open their doors and their lives to the viewer, thereby making visible what their political opponents would love to hide forever. "We were never good at hiding", they admit at the beginning of the film, and they are right. They've staged scenes with themselves watching or reading the news, recapping their legal situation in bed and cycling past posters advertising the highly contrived "Family Day 2007". With a wink they'll comment on their own bad acting - after all, this is how they are, it's a film about what they feel. Sometimes it's subtle self-deprecation, sometimes honest outrage and fear, and the mixture makes Suddenly, Last Winter a worthwhile watch.

Stephen Reiss: Home

There's been some heated discussion in Germany recently after a columnist of the newspaper Die Welt called same-sex couples "deficient" and deemed them unable to raise children. One of the most powerful and poignant answers to this outrageous ignorance can be found in the work of photojournalist Stephen Reiss and his Home project.
Home is a beautiful, tender long-time observation made in the Bronx, NYC home of Eshey Scarborough and Paris Harris, a lesbian couple who have raised twenty foster kids in ten years - and there will be more. Reiss started the project as a student and soon found himself entangled in the extended family, carefully documenting the life in the family and the individual lives after foster care.
"We believe the service we give is the rent we pay to stay on the planet", states Eshey Scarborough in the New York Times. Many of her foster girls identify as LGBT, live with disabilities or are scarred by abuse, and would probably have never had a perspective in life, if it hadn't been for Scarborough and Harris. The pictures show the family eating together, praying, playing, celebrating birthdays. They also show the sad and lonely times: a girl crying, fears of death and isolation captured in a diary.
But when one strips away the knowledge of the unusual materialisation of this family, the Home project becomes a very 'normal' portrait of a family - including all the ups and downs, children growing up and moving on, children returning to the nurturing arms of their parents, cuddly toys, pets, huge cooking pans. There is nothing deficient about this family, on the contrary: Reiss has captured a family as wholesome as one can wish for - with a few more children than one would expect, perhaps.