Pepper Labeija in Paris Is Burning (Screenshot) |
The balls are extravagant, something for the eye to feast, giant parties, serving as well-needed upbeat moments in the film. They are so exciting, and the viewer immediately gets why the protagonists spend most of their days stealing clothes, planning outfits and performances, and organising more balls. It makes you want to go back to the wild New York of the late 1980s and early 1990s.
And then there are the quieter, pensive moments of the film. The excessive balls serve as a distraction from the often miserable life of the characters: Many of them deal with poverty, violence, homophobia and transphobia on a daily basis, prostitute themselves to make a living, or are ill with AIDS. To Livingston, they open up their dreams of gender reassignment surgery, or becoming a successful model, but also of security, wealth, a home, steady relationships - and it is these moments when you really start to relate to the protagonists.
Paris Is Burning also shows an alternative to the traditional nuclear family - many of the ball participants live in Houses, substitute families founded by and named after Ball legends which function as "mother" or "father". There are the Houses of Labeija, Xtragavanza, Ninja - united in their competition. It is heart-warming to see the love and care shared by the House members, and Livingston approaches this environment very sensitively to document the protagonists in private moments, off their outspoken Ball personas. The making of Paris Is Burning took seven years - and it is palpable. Livingston came really close to her subjects and achieved a honest insight into their lives, by conducting excellent interviews and mixing them with observed moments.
The ball culture exists still, but most of the protagonists of Paris Are Burning are gone. They died of AIDS or were murdered - Venus Xtravanza's death is one of the shock moments in the film. In this context, Paris Is Burning becomes kind of a memorial, mourning times and people long gone. But the way it celebrates life, diversity and self-expression is exemplary and highly enjoyable; a fundamental documentary to watch when you are interested in LGBTQ history.
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